Anna Caterina Antonacci
Anna Caterina has been recognized by the French Republic for being among the most accomplished sopranos of the current generation. The French Republic has awarded her the highest honor which is called that of the Chevalier de l'Ordre National de la Legion of Honour. Era la Notte was her first album with Naive which received lots of praise. Her next album the album L'Alba separa dilla lumie of the ombra, on Wigmore Live featuring Tosti Ciela and Hahn together with Donald Sulzen has been equally highly acclaimed. Anna Caterina received the Accademici Effettivi award in 2020 by the elite panellists of the General Assembly of the Academicians of Santa Cecilia. This season has seen Anna Caterina perform the role of Madame de Croissy in Poulenc's Dialogues des Carmelites in a new production by Emma Dante at the Teatro dell'Opera di Roma. It is expected that she will reprise her part later on during the season with the Bayerische Staatsoper. Anna Caterina Antonacci hails from Italy, and she is well-known due to the roles that she has played in both bel canto as well as the baroque repertoire. Antonacci was the Rossini Canon mezzo-soprano. Anna Caterina Antonacci's height has not now available for her 62 years old. Anna Caterina Antonacci height, weight and body measurements will be available soon. The actress is currently unmarried. She is currently in a relationship. There isn't much we know about her past relationships or any previous engaged. Based on our Database, She has no children. Her net worth is growing rapidly in 2022-2023. So how much is Anna Caterina Antonacci worth at the age of 62 years old? Anna Caterina Antonacci earns most of her income through her success. Anna Caterina Antonacci, born 5 April 1961 in Italy is a soprano best known for her work in the Baroque and the Bel Canto repertories. Antonacci was an Rossini Canon mezzo-soprano. Antonacci was born and raised in Bologna in Italy, and began her Arezzo debut in the year 1986, as Rosina. Her profile was extensively written by the New York Times in March 2012.






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